(Gerald Davis: Dublin-born painter and Joycean of Lithuanian Jewish descent,
died June 17th, 2005)
Two small paintings creep up my wall,
A Mask, a Window, twin elements, camouflage,
A world framed: you said I knew your art,
Which was more compliment than I deserved.
I went away from every meeting with a Jazz
CD like a bright, surreal coin in my pocket –
We drank herbal tea sung over, you said, by
A rabbi, hot-spiced from the Holy Land.
How right you were, Bloom of Capel Street,
To hold out for the passing of Poldy’s Day,
Let the sun slip into the sea like a hand
Into a pocket, slip off yourself: dwindlebloom.
One last gush, blast, Yes Yes Yes of work
Seared the eye, went beyond itself, must have
Left a gash in you, the best you’d done; a
CD spinning now, like a model of the universe,
Fogs my cold sitting-room with Kaddisch,
A held top note on the last word, a flourish,
Defining brush-stroke, wing-lift of an ending:
You’d layered so much colour on all that silence,
Voicing each painting, participles of style,
A Capel Street of contrast, a Grafton Street
Of shade, tone, a kidney-breakfast of composition,
A riddling Sandymount of the imagination; still
From wall to wall this labyrinth of self-shaping
Ran indecipherable yet obvious, a willing
Into the face of a sheet blank as death of
Mythographic, musical, bullish last images,
A plump cave-painter busy in the half-light
Of a skittishly pagan Plurabella moon –
No escape this time on self-impaling wings,
Feather-tips curled inwards in tabernacular heat –
You heard the wax melt, saw bright drops
Fuse in Howthy sand, felt a laughing descent into light.
Fred Johnston